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Waymore’s Blues – Waylon Jennings

“Scroll down to the end of the article to listen to music.”

Introduction

Waylon Jennings’ Waymore’s Blues (Part II), a 1994 album, exemplifies his raw, independent spirit during a time when he stepped back from major label expectations. This return to RCA allowed Jennings to explore his signature outlaw style, reinvigorating his connection to music on his terms.

About The Composition

  • Title: Waymore’s Blues (Part II)
  • Composer: Waylon Jennings
  • Premiere Date: September 13, 1994
  • Album/Opus/Collection: Waymore’s Blues (Part II)
  • Genre: Country, Outlaw Country

Background

Produced by Don Was, this album was born from Jennings’ desire to reclaim artistic freedom. Recorded at Ocean Way Studios, Jennings collaborated with Was to create a unique “impressionistic” sound that emphasized atmosphere over complexity, making each track a deeply personal experience. Jennings’ reflection on tracks like “Old Timer” and “Endangered Species” reveals his nostalgic tribute to simpler times.

Musical Style

Characterized by Jennings’ distinct gravelly vocals and Was’ textured production style, the album weaves guitar, organ, and pedal steel, embracing a warm, organic feel. Songs like “Waymore’s Blues Part II” show Jennings’ exploration of less conventional song structures, crafting an experience rather than following traditional country formulas.

Lyrics

Jennings’ lyrics delve into themes of resilience, loss, and the battle to stay true to oneself. “Wild Ones” recalls his Nashville days with Willie Nelson and Jessi Colter, reflecting on their challenge to the conventional music scene. Each track’s lyrical journey speaks to personal freedom and authenticity.

Performance History

While Waymore’s Blues (Part II) peaked modestly on the charts, it resonated profoundly with Jennings’ fans. The track “Wild Ones” even received a music video, cementing its place in Jennings’ legacy of visual storytelling.

Cultural Impact

The album underscores Jennings’ influence on outlaw country, championing individuality in a genre often resistant to change. Its ethos contributed to defining the rugged, honest image that Jennings and his contemporaries brought to country music.

Legacy

Jennings’ approach in Waymore’s Blues (Part II) reminds listeners of the power of authentic artistry. Today, the album holds a special place for fans of outlaw country, symbolizing the persistence of genuine creative spirit.

Conclusion

With Waymore’s Blues (Part II), Jennings invites listeners into his world, one shaped by hard-earned wisdom and defiant independence. For a moving experience, listen to tracks like “Waymore’s Blues Part II” and “The Old Timer,” a tribute to a country legend reclaiming his roots.

Video

Lyrics

Well, I woke up this mornin’ it was drizzlin’ rain
Around the curve come a passenger train
Heard somebody yodel and a hobo moan
Jimmy he’s dead, he’s been a long time gone
Been a long time gone, a long time gone
If you want to get to heaven, gotta D-I-E
You gotta put on your coat and T-I-E
Want to get the rabbit out of the L-O-G
You gotta make a commotion like D-O-G
Like D-O-G, like D-O-G, yeah
Well, I got a good woman, what’s the matter with me?
What makes me want to love every woman I see?
I was trifling when I met her now I’m trifling again
And every woman she sees looks like the place I came in
Looks like the place I came in, yeah, woo place I came in
I got my name painted on my shirt
I ain’t no ordinary dude
I don’t have to work
I don’t have to work

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