Country Music - Classic Country Music Hits

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BEFORE “WALKIN’ AFTER MIDNIGHT” MADE PATSY CLINE A STAR, SHE WAS SINGING ON A REGIONAL TV SHOW HOSTED BY JIMMY DEAN — AND THE TWO DIDN’T ALWAYS SEE EYE TO EYE. Beginning in the fall of 1954, Patsy became a featured singer on Connie B. Gay’s Town and Country television broadcasts around Washington, D.C. Jimmy Dean was the host. Roy Clark, George Hamilton IV and Billy Grammer were part of that same circle. Patsy was still years away from “Crazy” and “I Fall to Pieces.” She had the voice, but national stardom had not arrived yet. And she and Jimmy weren’t exactly close. Years later, Bill Anderson remembered their relationship as “not quite oil-and-water” — two strong personalities sharing the same stage without always fitting comfortably together. That is what makes the old footage matter. Before either name became part of country music history, Jimmy Dean was introducing the show, and a young Patsy Cline was standing nearby, still fighting to be heard.

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Patsy Cline, Jimmy Dean, and the Regional Stage That Came Before Fame Long before Patsy Cline became a country music…

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SHE GAVE UP HER OWN SINGING CAREER AND TAUGHT FOUR CHILDREN TO HARMONIZE IN A CAR WITH NO RADIO. AT NINETY, REBA McENTIRE’S MOTHER FINALLY GOT HER NAME ON A RECORD. Jacqueline Smith wanted to be a country singer. People in Oklahoma said she could have been as big as Patsy Cline. She was teaching school by sixteen. She married Clark McEntire, a three-time world champion steer roper, and raised four children on a ranch in Chockie, Oklahoma. The family car had no radio. So on the long drives to her husband’s rodeos, Jacqueline taught the children to sing harmony in the backseat. One of them was Reba. Reba went on to sell tens of millions of records. Her mother stayed a teacher, a librarian, a school secretary. Then, more than fifty years after those car rides, Reba made a gospel album. She refused to record “I’ll Fly Away” until her mother and her sisters could get to Nashville. When they arrived, all three sang harmony behind her — exactly the way Jacqueline had taught them. On another track, her mother suggested a change to the words. Reba put her name on it as a co-writer. “Sing It Now: Songs of Faith & Hope” came out in February 2017. Jacqueline McEntire was ninety years old. She died three years later, at ninety-three.

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When Reba McEntire’s Mother Finally Got Her Name on a Record Long before Reba McEntire became one of country music’s…

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THE BUCKLE RONNIE DUNN WORE TO ACCEPT HIS 18TH ACM AWARD ISN’T AN AWARD AT ALL. Every artist who performs at Cheyenne Frontier Days walks away with one, and Brooks & Dunn have played the Daddy of ’em All several times over the years. You don’t beat anybody for it. You show up, you play the rodeo grounds in Wyoming, and the silver is yours. That is what sat on his belt on May 17 at the MGM Grand Garden Arena in Las Vegas, when Brooks & Dunn won Duo of the Year at the 61st ACM Awards. Second year running, and the eighteenth time in that category. No duo has ever won it more. “I don’t know why y’all aren’t getting sick of us,” Kix Brooks said at the podium. It was the second time in seven months the buckle made national television, because Dunn had it on in November too, when they took Vocal Duo of the Year at the CMAs in Nashville. So a man with closets full of trophies keeps reaching past all of them for the one piece of silver he didn’t have to win. On August 19 the ACM hands Cheyenne Frontier Days a trophy of its own, Fair/Rodeo of the Year, at the Honors ceremony in Nashville. Ronnie Dunn was wearing that place on his belt long before anyone thought to give it an award.

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The Buckle Ronnie Dunn Wore to Accept His 18th ACM Award Isn’t an Award at All On May 17, 2026,…

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On November 19, 2007, Charlie Daniels was at Nashville’s Ryman Auditorium for his annual Christmas For Kids benefit concert, an event created to help children in need enjoy a better Christmas. During the show, Martina McBride walked onto the stage carrying a small gift box. Inside was a card with news Charlie had waited decades to hear. He was being invited to become a member of the Grand Ole Opry. Charlie stepped back, clearly overwhelmed as the audience rose to its feet. For a man who had come to Nashville years earlier with his wife and young son, it was one of the highest honors country music could give him. “This is very emotional for me,” he told the crowd. The moment was especially fitting because Charlie had spent that evening trying to give something to other people. He came to the Ryman to help children at Christmas. Before the night was over, country music had given Charlie Daniels a gift of its own.

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Charlie Daniels, Christmas For Kids, and the Night Nashville Gave Back On November 19, 2007, Charlie Daniels stood on one…

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HE SPENT HIS CHILDHOOD WATCHING HIS MOTHER CUT HAIR TO KEEP FOOD ON THE TABLE. DECADES LATER, JIMMY DEAN FINALLY FOUND A WAY TO REPAY HER — WITH A SONG. Jimmy Dean grew up poor in the Texas Panhandle. His mother, Ruth, raised the family through hard years, cutting hair in their home to earn money. When Jimmy was ten, she taught him to play piano. He later taught himself guitar, harmonica, and accordion. That small beginning eventually carried him far beyond Texas. “Big Bad John” made him a star. Television made him a household name. But by the mid-1970s, his biggest recording years seemed to be behind him. Then, in 1976, Jimmy recorded “I.O.U.” It wasn’t a love song or another story about a larger-than-life character. It was a spoken tribute to mothers — remembering all the jobs a mother performs without ever sending her children a bill. The record became Jimmy’s first Top 10 country hit in a decade. For Ruth Dean’s son, the meaning went deeper than a chart position. The woman who had worked inside their home to support him had also placed his fingers on a piano when he was ten. Nearly forty years later, he was still using what she gave him to say thank you.

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Jimmy Dean and the Song That Said Thank You Jimmy Dean’s story did not begin in a spotlight. It began…

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BILL MONROE PUT HIS UNCLE’S NAME IN THE TITLE — AND FIFTY-TWO YEARS AFTER THE OLD FIDDLER DIED, THAT NAME WENT TO NO. 1. His name was James Pendleton Vandiver. Everybody in Rosine, Kentucky called him Uncle Pen. He was the brother of Bill Monroe’s mother, a fiddler at square dances, walking with a limp, living alone in a two-room house on a hilltop. Monroe’s mother died in 1921. His father died in 1928, when Bill was sixteen. The boy walked up the railroad tracks to the hilltop and moved in with Uncle Pen. He stayed two years. He backed the old man at dances and learned his tunes by ear — Monroe later said Pen was the man who taught him to play. In the spring of 1930 Monroe left to find work. Two years later, Uncle Pen died of pneumonia. Monroe wasn’t told until after the funeral was over. He wrote “Uncle Pen” in 1950, eighteen years too late for the man to hear it. In 1973, on his own birthday, Monroe unveiled a monument at the grave in Rosine Cemetery. And in 1984, Ricky Skaggs cut the song and took it to No. 1 on the country chart — a plain bluegrass tune about a dead fiddler, sitting at the top of American radio.

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Bill Monroe Put Uncle Pen in the Title — and the Song Still Found Its Way Home Some songs arrive…

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HE FIRST STOOD ON THE GRAND OLE OPRY STAGE IN 1967. IT TOOK ANOTHER 26 YEARS BEFORE CHARLEY PRIDE WAS FINALLY ASKED TO JOIN. Charley Pride made his Grand Ole Opry debut on January 7, 1967, at a time when seeing a Black singer on country music’s most famous stage was still unusual. He kept coming back. And while the Opry waited, the rest of country music did not. Pride became one of the biggest stars of the 1970s, sending song after song to No. 1 with that smooth baritone voice. “Kiss an Angel Good Mornin’” became his signature. He won CMA Entertainer of the Year in 1971 and built a career that made him impossible to treat as an outsider. Still, full Opry membership did not come until May 1, 1993. Twenty-six years after his first appearance, Charley Pride finally stood inside the circle not as a guest, but as family. For a man who had spent much of his career opening doors country music had rarely opened before, the moment carried more weight than another trophy ever could.

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Charley Pride and the Long Wait for the Grand Ole Opry When Charley Pride first stepped onto the Grand Ole…

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WHEN TOM T. HALL WROTE ONE OF HIS MOST BELOVED SONGS, THE MAN WHO GAVE HIM THE STORY NEVER GOT A NAME. In 1972, Tom T. Hall was in Miami Beach during the Democratic National Convention. Late one night at his hotel, he met an older Black porter cleaning up the lounge. Instead of walking past, Hall sat and listened. The man talked about getting older and the few things in life that had never disappointed him: old dogs, children, and watermelon wine. Hall carried that conversation with him when he left Miami. He turned it into “(Old Dogs, Children and) Watermelon Wine.” There was no invented hero. No dramatic love story. Just an aging working man Hall happened to meet for one night, speaking plainly about what still mattered after most of life had passed. The song was released in 1972 and became Hall’s third No. 1 country single. Millions came to know the old man’s wisdom. Almost nobody ever knew the old man himself.

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Tom T. Hall’s Song, the Stranger, and the Night That Became Country Music History Some songs arrive like lightning. Others…

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MARTY ROBBINS WAS SUPPOSED TO SING AT THE GRAND OLE OPRY ON DECEMBER 4, 1982. A HEART ATTACK PUT HIM IN THE HOSPITAL TWO DAYS BEFORE. HE NEVER MADE IT BACK TO THE STAGE. Marty Robbins had been living with a damaged heart for years. He suffered a heart attack in 1969 and underwent bypass surgery in 1970. But he returned to the things he loved — recording, performing and even racing stock cars. And 1982 looked like another comeback. “Some Memories Just Won’t Die” reached the country Top 10. In October, Billboard gave the 57-year-old its Artist Resurgence Award, and that same month Marty was inducted into the Country Music Hall of Fame. He was still racing NASCAR as late as November. Then, on December 2, Marty suffered his third heart attack. Doctors performed emergency quadruple bypass surgery. He had been scheduled to sing at the Grand Ole Opry that Saturday. He never got there. Marty Robbins died on December 8. After nearly 30 years as an Opry member, the stage was still waiting for him when his heart finally gave out.

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Marty Robbins and the Opry Stage That Waited Too Long On December 4, 1982, Marty Robbins was supposed to sing…

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JERRY LEE LEWIS HADN’T PUT AN ALBUM ON THE BILLBOARD COUNTRY CHART IN 23 YEARS. AT 71, “THE KILLER” CAME BACK AT NO. 4. By 2006, Jerry Lee Lewis had already lived through nearly half a century of triumph, scandal and survival. The hits that made him famous belonged to another era, and it had been 23 years since an album with Lewis as the main artist had appeared on Billboard’s country album chart. Then came Last Man Standing. The record paired Jerry Lee with artists who had grown up in the world he helped create — Bruce Springsteen, Jimmy Page, B.B. King, Mick Jagger, Keith Richards, Willie Nelson and others. But they were not there to replace him. Jerry Lee was still pounding the piano, still growling through the songs, still unmistakably “The Killer.” When Last Man Standing reached No. 4 on Billboard’s country albums chart, Lewis had his highest-charting country album in decades. Twenty-three years after the chart had moved on without him, Jerry Lee Lewis walked back onto it. The album had the perfect name. He really was the last man standing.

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Jerry Lee Lewis and the Return That Felt Like a Victory Lap By 2006, Jerry Lee Lewis had already survived…

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